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Filmclusive Encyclopedia

Post-production

Film production roles, equipment, workflows, and terms.

300 entries · Page 5 of 5

  • Sequence timecode

    The timecode address assigned along an edited timeline independent of individual source timecodes.

  • Set extension

    A visual-effects addition expanding a practical environment beyond what was built or photographed.

  • Shared project

    An editorial project organized for concurrent or coordinated access by multiple collaborators.

  • Short-term loudness

    A program-loudness measurement calculated over a moving window of several seconds.

  • Slide edit

    An edit that moves a clip earlier or later while preserving its duration and adjusting neighboring clip edges.

  • Slip edit

    An edit that changes a clip’s source in and out points while preserving its timeline position and duration.

  • Smash cut

    An abrupt edit designed to create strong contrast in image, sound, time, scale, or emotional tone.

  • Sound bridge

    Audio that continues across or begins before a picture transition to connect shots or scenes.

  • Sound design

    The creative and technical shaping of sound to support story, space, emotion, and rhythm.

  • Sound edit

    The selection, cleanup, organization, and timing of dialogue, effects, ambience, and production sound.

  • Sound library

    An organized collection of recorded or synthesized audio assets and associated metadata.

  • Sound-effects edit

    The selection, creation, placement, and organization of sound effects to support picture and story.

  • Source clip

    A clip representing source media or a defined portion of it within an editing project.

  • Source media

    Picture, sound, graphics, or other files from which an edit or master is built.

  • Source monitor

    An editing viewer used to inspect and mark source material before placing it into a sequence.

  • Source patching

    The mapping of source clip tracks to destination sequence tracks for an edit.

  • Source timecode

    The timecode recorded with or assigned to original media and used to identify source frames.

  • Spectral repair

    Audio restoration targeting localized unwanted events in a time-frequency display.

  • Speed ramp

    A timed transition between different playback speeds within an individual shot.

  • Split edit

    An edit in which the picture and corresponding audio change at different times.

  • Spotting session

    A review in which filmmakers decide where music, effects, dialogue work, or other sound cues should begin and end.

  • ST map

    A two-channel image encoding horizontal and vertical sampling coordinates for image warping.

  • Stem

    A separately delivered submix of a defined program element group, such as dialogue, music, or effects.

  • Straight alpha

    An alpha convention in which stored color channels are not multiplied by opacity.

  • Stringout

    A long assembly of potentially useful material placed in sequence for review or selection.

  • Subclip

    A project item referencing a selected range within a longer source clip.

  • Subtitle file

    A timed-text file presenting translated or transcribed dialogue for on-screen display.

  • Subtitle spotting

    The process of setting subtitle in and out times against picture and dialogue.

  • Subtitles

    Timed translated or transcribed dialogue text intended to be read with picture.

  • Sync lock

    A timeline control keeping designated tracks temporally aligned during ripple or insert operations.

  • Sync sound

    Production audio recorded with a defined timing relationship to the corresponding picture.

  • Temp mix

    A provisional sound mix used to evaluate story, levels, transitions, and editorial intent before final mixing.

  • Temp score

    Existing or provisional music placed against picture to explore pacing, tone, and structure before the final score.

  • Textless elements

    Picture elements supplied without titles or language-specific graphics for localization and versioning.

  • Textless master

    A picture master with selected language-specific titles or graphics removed for localization.

  • Three-point edit

    An edit defined by three marks, with the system deriving the fourth boundary.

  • TIFF sequence

    An ordered series of Tagged Image File Format images representing successive video or film frames.

  • Timeline

    The time-based editing interface in which tracks and clips are arranged to build a sequence.

  • Timeline marker

    A time-positioned annotation carrying notes, ranges, labels, cues, or review status.

  • Title card

    A full-frame graphic presenting a title, chapter, location, date, quotation, or other information.

  • Title-safe area

    A conservative image area where essential text and graphics remain visible across displays and framing variations.

  • Track patching

    The configuration determining which timeline tracks receive or participate in an edit.

  • Track targeting

    Selection of timeline tracks that receive edits or respond to navigation and commands.

  • Transcode

    The conversion of media from one encoding, container, resolution, or rate to another.

  • Traveling matte

    A matte that changes across frames to follow a moving subject or element.

  • Trim

    An editorial adjustment to the start, end, or relationship of clips around an edit point.

  • True peak

    An estimate of the maximum reconstructed audio-signal level, including peaks that occur between digital samples.

  • Unpremultiply

    The operation of dividing color channels by alpha to recover unassociated color values where defined.

  • UV pass

    A rendered pass carrying surface texture coordinates for post-production texture placement or repair.

  • Variable bit rate

    An encoding mode allocating more or fewer bits as picture or sound complexity changes.

  • Version File DCP

    A supplemental digital-cinema package that reuses assets from an Original Version while replacing selected components.

  • Vertical interval timecode

    Legacy timecode encoded into lines of the vertical blanking interval of an analog video signal.

  • VFX plate

    A photographed source element intended to be combined with digital effects or other layers.

  • VOLINDEX

    A DCP document identifying the volume within a multi-volume package.

  • Walla

    Indistinct background crowd speech used to create the presence of people without foreground dialogue.

  • WAV file

    A Waveform Audio File Format container commonly used for uncompressed PCM production and delivery audio.

  • Window dub

    A viewing copy with timecode and often other source or production information burned into the picture.

  • Wipe

    A transition in which a moving boundary replaces one image with another across the frame.

  • Wire removal

    Paint and compositing work that removes visible stunt, rigging, safety, or support wires.

  • XML edit exchange

    A structured interchange file used by editorial and finishing applications to transfer timeline information.