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Filmclusive Encyclopedia

Post-production

Film production roles, equipment, workflows, and terms.

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  • 5.1 mix

    A six-channel surround layout with left, center, right, two surrounds, and an LFE channel.

  • 7.1 mix

    An eight-channel surround layout expanding front or surround spatial coverage beyond 5.1.

  • AAC

    Advanced Audio Coding, a lossy audio codec widely used for distribution and streaming.

  • AAF

    An interchange format that can carry editorial timeline, clip, and audio information between applications.

  • Academy Primaries AP0

    The wide set of RGB primaries used by the ACES2065-1 interchange encoding.

  • Academy Primaries AP1

    The RGB primaries used by ACEScg, ACEScc, and ACEScct working encodings.

  • ACES

    The Academy Color Encoding System, a color-managed framework for exchanging scene-referred image data.

  • ACES input transform

    A transform converting a known camera or source encoding into the ACES reference framework.

  • ACES output transform

    A transform mapping ACES scene-referred values to a specified display or mastering condition.

  • ACES2065-1

    The core ACES scene-referred image encoding using AP0 primaries and linear-light values for interchange and archiving.

  • ACEScc

    A logarithmic ACES color-grading image encoding based on the AP1 color primaries.

  • ACEScct

    A logarithmic ACES encoding based on AP1 primaries and designed for color-grading operations.

  • ACEScg

    A linear-light ACES working space using AP1 primaries, commonly used for computer graphics and compositing.

  • ADR

    Automated dialogue replacement: re-recording dialogue in sync with picture after principal photography.

  • ADR cue sheet

    A list of replacement dialogue cues with scene, take, timing, performer, and recording notes.

  • ADR editing

    The selection, timing, cleaning, and integration of recorded ADR with production sound.

  • ADR recording

    A studio session capturing replacement dialogue performed in synchronization with picture.

  • AIFF

    Audio Interchange File Format, a container historically common for uncompressed professional audio.

  • Alpha channel

    A data channel that describes image transparency or matte coverage for compositing.

  • Ambience

    Background sound that establishes the continuous acoustic character of a place, time, or environment.

  • Anamorphic format

    An image system that uses different horizontal and vertical magnification, traditionally squeezing a wide field onto film and unsqueezing it for projection.

  • Answer print

    The first release-form laboratory print combining approved picture and sound that is presented to the producer for acceptance.

  • Apple ProRes

    A family of intraframe video codecs used for acquisition, editing, mastering, and interchange.

  • Archival master

    A preservation-oriented master retained to support long-term access, migration, and future remastering.

  • As-broadcast script

    A timed or final script reflecting the program as actually delivered rather than the shooting draft.

  • Assembly cut

    An early edit that places the available material in script or story order before detailed refinement.

  • ASSETMAP

    A DCP XML document locating package assets across one or more storage volumes.

  • Associated alpha

    An alpha convention in which stored color channels have already been multiplied by opacity.

  • Audio denoise

    Processing intended to reduce steady or changing unwanted noise in an audio recording.

  • Audio-description mix

    A program mix incorporating narration that describes important visual information for blind or low-vision audiences.

  • Audio-description script

    A timed script identifying visual information to describe and wording for the narration.

  • Auto-sync

    Software-assisted alignment of separate picture and sound clips using timecode, waveform, or metadata.

  • Autosave

    An automatically created project recovery version written at configured time or change intervals.

  • Auxiliary timecode

    An additional timecode field stored alongside primary source timecode for alternate synchronization or reference.

  • AVI

    Audio Video Interleave, a Microsoft container for interleaved picture and sound streams.

  • B-frame

    A bidirectionally predicted picture reconstructed from surrounding reference pictures and residual data.

  • Beauty work

    Selective retouching of faces, skin, wardrobe, or appearance within moving images.

  • Bit depth

    The number of digital values available to represent each sampled image or audio component.

  • Broadcast Wave Format

    A WAV-compatible audio format carrying professional metadata such as timestamps and origin information.

  • Burn-in timecode

    Visible timecode characters rendered into a viewing copy for reference.

  • Camera original

    The first-generation picture recorded by the production camera onto film or digital media.

  • Camera tracking

    The reconstruction of camera movement and scene perspective from photographed image features.

  • Caption conformance

    The revision of caption timing and text to match a changed program edit or master.

  • Caption file

    A timed-text file containing same-language dialogue and relevant sound information for accessibility.

  • Captions

    Timed text that represents dialogue and relevant audible information for accessibility or distribution.

  • Change list

    A report describing editorial differences between two picture versions for downstream departments.

  • Checksum manifest

    A file listing media paths and cryptographic checksums for transfer or package integrity verification.

  • Chroma key

    Isolation of image regions based primarily on a selected hue or color range.

  • Chroma subsampling

    A representation that stores color-detail information at lower spatial resolution than luminance.

  • Clean plate

    A background-only image used to remove or replace unwanted objects during compositing.

  • Closed captions

    Timed accessibility text carried separately so viewers or playback systems can enable it.

  • Codec

    An algorithm or software implementation used to encode and decode audio or video data.

  • Color grading

    The creative and technical shaping of shot color, contrast, density, and continuity for approved outputs.

  • Color space

    A defined coordinate system for describing how color values are represented, transformed, and displayed.

  • Color timing

    The shot-by-shot control of color and density, historically through photochemical printer-light decisions and now also used for digital grading.

  • Compositing

    The combination of multiple image elements into a single coherent shot.

  • Composition playlist

    A D-cinema or IMF document defining the ordered track files that form a playable composition.

  • Compound clip

    A grouped timeline object that packages multiple synchronized elements for editing as one item.

  • Computer-generated imagery

    Imagery created or substantially manipulated with computer graphics for integration into a shot, sequence, or complete animated work.

  • Conform

    The process of rebuilding a locked edit from original camera or source media for finishing.