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Filmclusive Encyclopedia

Live entertainment

Film production roles, equipment, workflows, and terms.

300 entries · Page 1 of 5

  • Acoustic feedback loop

    A reinforcing loop in which loudspeaker output re-enters a microphone and is amplified repeatedly.

  • Acoustic phase

    The relative timing position of periodic sound components, affecting addition and cancellation.

  • Advance

    The pre-event exchange and confirmation of technical, schedule, venue, staffing, hospitality, and access requirements.

  • Advancing

    The ongoing process of coordinating and documenting an event’s requirements with venues and suppliers before arrival.

  • AES67

    An Audio Engineering Society interoperability standard for high-performance audio-over-IP streaming between compatible systems.

  • All-access credential

    A high-level event credential permitting entry to most controlled operational zones.

  • Amplifier rack

    A rack containing power amplifiers and associated distribution, processing, networking, and monitoring.

  • Art-Net

    An Ethernet protocol used to transport DMX-style lighting control and related data across IP networks.

  • Artist guarantee

    A contracted minimum performance payment, sometimes combined with a share of defined event receipts.

  • Assistive listening system

    A venue system transmitting program audio directly to compatible audience receivers or hearing devices.

  • Audience ambience microphone

    A microphone capturing room or audience sound for in-ear monitoring, recording, broadcast, or effects.

  • Audience barricade

    A purpose-built barrier used to separate, guide, or protect audiences and working areas at an event.

  • Audience bowl

    The venue area containing the audience seating or standing configuration facing the performance.

  • Audio matrix

    A routing structure sending multiple inputs or mixes to multiple independently controlled outputs.

  • Audio mult

    A parallel signal distribution point supplying the same source to several approved destinations.

  • Audio polarity

    The positive-versus-negative orientation of an audio signal or transducer connection.

  • Audio subgroup

    A console bus combining related channels for common level or processing control.

  • Audio system controller

    A hardware or software interface monitoring and controlling networked sound-system devices.

  • Austrian curtain

    A curtain that gathers upward in multiple vertical swags using lift lines.

  • Auxiliary send

    A console path creating an additional mix from selected input channels.

  • AVB

    A family of IEEE Audio Video Bridging technologies that provides time-aware transport and resource reservation on compatible Ethernet networks.

  • Backline

    Performer instruments, amplifiers, stands, and related equipment supplied for a live music event.

  • Backstage

    Production and performer areas not intended to be visible to the audience during a live event.

  • Backstage pass

    A controlled event credential granting defined access to nonpublic production areas.

  • Backup console

    A secondary control surface or processor prepared to assume operation after primary failure.

  • Balanced audio

    A signal connection using two conductors with opposite polarity relative to a shield or reference.

  • Beginners call

    A theatre call instructing performers appearing at the beginning of an act to go to their starting positions.

  • Black burst

    An analog standard-definition video reference signal used to synchronize compatible video equipment.

  • Blackout

    A cue or condition extinguishing designated performance lighting, often rapidly.

  • Blackout curtain

    Opaque stage drapery used to block light, mask space, or divide backstage areas.

  • Busking

    Operating live lighting or media by making responsive manual choices instead of following only a prebuilt cue stack.

  • Cable pick

    An overhead support or suspension arrangement used to manage the weight and path of production cables.

  • Cardioid subwoofer array

    A low-frequency array configured with spacing, delay, and polarity to reduce radiation in selected directions.

  • Changeover

    The organized transition between acts, bands, scenes, or technical configurations.

  • Channel list

    A numbered record of console inputs, sources, destinations, and key patch or processing notes.

  • Circuit plot

    A drawing or schedule showing electrical circuits and connection locations for entertainment lighting.

  • Comb filtering

    Alternating peaks and cancellations caused when correlated sounds combine with a small time difference.

  • Comms

    A live-event communication system and operating practice used to coordinate departments and cues.

  • Complimentary ticket

    A ticket issued without a normal sale price to an authorized guest or allocation.

  • Confidence monitor

    A display showing presenters program, notes, timing, remote guests, or return information.

  • Console scene

    A saved set of live-console parameters that can be recalled for a cue, song, speaker, or segment.

  • Console snapshot

    A stored set of selected digital-console parameters recalled for a song, scene, or event state.

  • Contingency cue

    A prepared alternate cue used when normal show conditions or equipment are unavailable.

  • Control channel

    A console-level identifier used to select and operate one fixture or logical device.

  • Control universe

    A numbered logical address space transporting a defined group of entertainment-control slots.

  • Counterweight arbor

    A guided metal frame holding counterweights that balance a theatrical line set.

  • Counterweight fly system

    A theatrical rigging system balancing line-set load with adjustable counterweights in an arbor.

  • Credential zone

    A coded access area associated with specific event passes or permissions.

  • Crossover

    A backstage route allowing people to travel from one side of the stage to the other without being seen.

  • Crossover frequency

    The transition region where adjacent loudspeaker or signal-processing frequency bands divide and overlap.

  • Cue delay time

    A programmed wait between a cue trigger and the start of a parameter transition.

  • Cue fade time

    The programmed duration over which a cue’s parameter values transition.

  • Cue follow time

    A programmed timing interval after which another show cue starts automatically.

  • Cue light

    A visual signal used to communicate a performance or technical cue without relying on spoken radio traffic.

  • Cue list

    An ordered record of show cues with identifiers, descriptions, timing, triggers, and responsible departments.

  • Cue stack

    An ordered list of technical or performance cues used to run a live event consistently.

  • Cue-only edit

    A console edit intended to affect one cue without tracking into later cues.

  • Cue-to-cue rehearsal

    A technical rehearsal that skips intervening performance material to concentrate on cues and transitions.

  • Curtain call

    The post-performance sequence in which performers return or remain for audience acknowledgment.

  • Curtain up

    The scheduled or actual beginning of a stage performance, whether or not a physical curtain moves.