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Filmclusive Encyclopedia

Live entertainment

Film production roles, equipment, workflows, and terms.

300 entries · Page 2 of 5

  • Dante

    Audinate’s networked media technology for routing multichannel digital audio and related control over IP networks.

  • Dark time

    A scheduled period when performance lighting or venue activity is unavailable to other work.

  • Day room

    A hotel room retained for daytime rest, changing, showering, or production use outside an overnight stay.

  • DCA group

    A digital console control group adjusting assigned channel levels without creating an audio sum.

  • Dead haul

    A manual rigging method in which operators pull the full suspended load without counterweight or mechanical advantage.

  • Deck

    The stage floor or working surface on which performers, scenery, and event equipment are positioned.

  • Deck track

    A guided floor path or rail used to move scenic units across a stage.

  • Delay tower

    A remote loudspeaker position used to extend sound coverage to distant audience areas.

  • DI box

    A device that adapts an instrument or line-level source for a balanced microphone-input path.

  • Digital snake

    A stage-to-console audio transport system that converts and carries multiple channels over digital links or a network.

  • Dimmer rack

    An enclosure containing multiple controlled power dimmers for compatible entertainment lighting circuits.

  • Dimmer schedule

    A document mapping dimmers or power-control outputs to circuits, channels, loads, and modes.

  • DMX

    A digital control protocol used to send lighting levels, colors, and fixture parameters across a lighting network.

  • DMX node

    A network device converting between Ethernet lighting protocols and physical DMX ports.

  • DMX opto-splitter

    An optically isolated device distributing one DMX input to multiple protected output branches.

  • DMX terminator

    A resistor plug placed at the end of a DMX data line to reduce signal reflections.

  • DMX universe

    A logical group of DMX control channels addressed as one 512-channel data stream.

  • Door split

    A settlement arrangement allocating defined ticket revenue between parties by an agreed percentage or formula.

  • Doors

    The advertised or operational time when audience admission begins for a live event.

  • Double-purchase counterweight system

    A counterweight arrangement using mechanical advantage so the arbor travels about half the batten distance.

  • Downstage

    The area or direction closer to the audience on a conventional stage.

  • Downstream keyer

    A keyer placed late in a switcher signal path for logos, titles, or overlays.

  • Dress rehearsal

    A planned full run using performance conditions, costumes, technical cues, and show sequence as completely as practical.

  • Dressing room

    A private backstage space where performers change, prepare, store personal items, and receive calls.

  • Edge blending

    The overlap and luminance shaping of adjacent projected images into a wider continuous canvas.

  • Emergency stop

    A control intended to stop hazardous machinery or motion rapidly during an emergency.

  • Encore

    An additional performance offered after the planned main program in response to audience or artist decision.

  • Entertainment network switch

    An Ethernet switch configured for lighting, audio, video, or show-control traffic.

  • Entertainment power control

    A managed system switching or dimming electrical circuits for show equipment under authorized control.

  • Event curfew

    A contractual, venue, permit, noise, transport, or labor deadline by which specified event activity must end.

  • Event production schedule

    A master timeline covering access, load-in, rehearsals, doors, show, curfew, and load-out.

  • Event runner

    A locally assigned worker handling approved errands and transport for touring or event departments.

  • Event settlement

    The post-show reconciliation of ticketing, expenses, guarantees, percentages, taxes, and contractual adjustments.

  • Event site walk

    A multidisciplinary inspection of venue or site conditions before final event planning.

  • False proscenium

    A scenic or masking portal built inside the architectural proscenium to redefine the visible opening.

  • Festival changeover

    The timed transition between acts requiring coordinated removal, reset, patching, line checks, and staging.

  • Fill speaker

    A supplemental loudspeaker covering an audience area not adequately served by the main system.

  • Five-minute call

    A backstage warning that approximately five minutes remain before a scheduled start or return.

  • Fixture addressing

    The assignment of a control start address and universe or network identity to an entertainment device.

  • Fixture parameter

    A controllable attribute such as intensity, pan, color, focus, or framing.

  • Fixture profile

    A console’s structured definition of a lighting device’s control channels, ranges, defaults, and parameter behavior.

  • Flown line array

    A vertically configured loudspeaker array suspended above the audience or stage area.

  • Fly loft

    The tall stage volume above the performance area where flown scenery and equipment travel.

  • Fly system

    A stage machinery system raising, lowering, and holding scenery, lighting, or curtains overhead.

  • Follow cue

    A cue configured to execute automatically after a preceding cue or delay.

  • Followspot

    A manually operated spotlight that tracks and illuminates a performer or moving subject.

  • Front fill

    A loudspeaker placed near the stage edge to cover audience positions below or between the main arrays.

  • Front of house

    The audience-facing technical position or team responsible for the main show mix or control view.

  • Front-of-house mix

    The audience-facing live audio balance created at the main mixing position.

  • Gain before feedback

    The usable amplification available before a microphone-loudspeaker loop becomes audibly unstable.

  • Gel cut list

    A worksheet specifying quantities and sizes of color media needed for a lighting installation.

  • Genlock

    A timing reference that synchronizes video devices so frames remain aligned across a system.

  • Go cue

    The stage-management command that authorizes immediate execution of a previously identified cue.

  • Grand drape

    The principal front curtain used to separate a stage from its audience.

  • Grand master

    A console control that proportionally limits selected overall lighting output.

  • Green room

    A backstage lounge or waiting room provided for performers, speakers, or guests.

  • Ground-stacked-pa

    A loudspeaker system supported from the floor or ground rather than flown.

  • Half-hour call

    A backstage warning traditionally given approximately thirty minutes before the announced performance start.

  • Hand line

    A rope operated directly by hand to move, guide, or secure approved stage elements.

  • Head block

    The overhead sheave assembly redirecting lift lines and purchase line in a fly system.