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Filmclusive Encyclopedia

Live entertainment

Film production roles, equipment, workflows, and terms.

300 entries · Page 3 of 5

  • Hearing loop

    An assistive listening system using an induction loop to send audio to telecoil-equipped hearing devices.

  • Hemp rigging system

    A manually operated stage system using fiber ropes, blocks, battens, and sandbag counterweights.

  • Hold cue

    An instruction preventing execution or progression of a cue until further authorization.

  • Hospitality rider

    A rider section describing dressing-room, catering, transport, security, guest, and other nontechnical event requirements.

  • House count

    The number of audience members admitted, seated, sold, or present under a stated counting method.

  • House lights

    General audience-area lighting controlled separately from stage or performance lighting.

  • House manager report

    A post-event record of audience operations, timing, accessibility, incidents, staffing, and facility issues.

  • House open

    The operational point at which the venue begins admitting the audience to the performance area.

  • Idler pulley

    A pulley added to guide or support a line without providing the primary lifting function.

  • In-ear monitor

    An earpiece-based monitoring system delivering a controlled performer mix directly to the ears.

  • Infrared listening system

    An assistive audio system transmitting modulated infrared light to audience receivers.

  • Input list

    An ordered document naming each audio source and its channel, connector, microphone, stand, power, and patch requirements.

  • Intermission

    A planned pause in a performance during which audience, performer, and technical operations change state.

  • Kabuki drop

    A release system that drops a suspended curtain or scenic cloth rapidly on cue.

  • Late-seating hold

    A planned point at which late audience members may enter with minimal disruption or risk.

  • LED display cabinet

    A structural module containing LED tiles, electronics, connectors, and rigging features for video walls.

  • LED receiving card

    An electronic module distributing mapped pixel data within an LED cabinet or panel.

  • LED sending device

    A controller output device formatting and transmitting video data to LED display receiving systems.

  • LED-wall processor

    A controller scaling and distributing video data to modular LED display cabinets.

  • Lift line

    A wire rope or line connecting a stage batten or load to blocks and its operating system.

  • Lighting channel hookup

    A lighting document listing each control channel and its fixtures, positions, circuits, color, purpose, and accessories.

  • Lighting console

    A control system used to patch, program, cue, play back, and monitor entertainment lighting and related devices.

  • Lighting cue

    A numbered or labeled lighting state with timing and playback instructions.

  • Lighting effect

    A programmed pattern that changes fixture parameters repeatedly or algorithmically over time.

  • Lighting focus call

    A work session positioning and shaping each lighting fixture toward its intended area.

  • Lighting focus chart

    A record of each luminaire’s target, beam, shutters, accessories, and focus notes.

  • Lighting gateway

    A device translating, routing, or bridging entertainment-control protocols between network and serial systems.

  • Lighting group

    A programmable selection of channels or fixtures recalled together for editing or control.

  • Lighting inhibit

    A control that limits or suppresses output from selected channels regardless of normal playback.

  • Lighting instrument schedule

    A document listing luminaires and their identifying, positional, circuit, control, accessory, and focus information.

  • Lighting palette

    A reusable stored value or reference for color, focus, beam, intensity, or another parameter group.

  • Lighting patch

    The assignment connecting control channels and fixture parameters to physical dimmers or network addresses.

  • Lighting preset

    A recorded combination of fixture parameter values available for cue building or playback.

  • Lighting submaster

    A playback or fader controlling a recorded group, look, effect, or other console object.

  • Line array

    A vertically arranged loudspeaker system designed to control coverage and coupling across an audience area.

  • Line check

    A systematic verification that each audio or signal path reaches the expected destination before a live event.

  • Line level

    A nominal audio signal level intended for interconnection between powered audio devices.

  • Line set

    A coordinated group of lift lines and machinery moving a stage batten or load.

  • Live audio latency

    The time delay introduced as sound passes through conversion, processing, networking, and loudspeaker paths.

  • Live cue sheet

    A chronological document listing show cues, triggers, departments, timing, and notes.

  • Live image processor

    A device performing switching, scaling, compositing, warping, or screen management for events.

  • Live production meeting

    A coordination meeting aligning creative, technical, venue, safety, schedule, and client decisions.

  • Load-in

    The scheduled movement of equipment and materials into a venue before setup or rehearsal.

  • Load-in call

    The scheduled reporting time for crews installing event equipment and production systems.

  • Load-out

    The controlled removal, packing, and accounting of equipment and materials after a live event.

  • Loading gallery

    An elevated fly-house level where counterweights are added to or removed from arbors.

  • Local crew

    Workers hired in the event market or venue to support load-in, show operation, and load-out.

  • Lock rail

    The operating level containing rope locks for counterweight line sets.

  • Loft block

    An overhead sheave guiding an individual lift line between batten and head block.

  • Loudspeaker processor

    A digital processor providing crossover, equalization, delay, limiting, and routing for speaker systems.

  • MADI

    A multichannel digital-audio interface standardized for carrying many channels over coaxial or optical connections.

  • Magic sheet

    A condensed graphical layout of lighting channels organized by area, direction, color, or purpose.

  • Manual cue

    A cue whose timing or level is directly controlled by an operator rather than fully automated.

  • Masking portal

    A coordinated header-and-leg assembly forming an adjustable visual frame around the stage picture.

  • Maximum SPL

    The highest sound-pressure level a microphone or device is specified to handle within stated distortion criteria.

  • Meal buyout

    A payment provided instead of a catered meal under an applicable agreement or tour policy.

  • Media server

    A system that stores, processes, maps, and plays video or pixel content for a live event.

  • Media-server output

    A rendered video feed generated by a media server for screens, projection, or compositing.

  • Merchandise settlement

    The post-show accounting of merchandise sales, taxes, venue commissions, card fees, inventory, and cash.

  • Microphone level

    The relatively low electrical signal level produced by a microphone before preamplification.