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Filmclusive Encyclopedia

Pre-production

Film production roles, equipment, workflows, and terms.

300 entries · Page 5 of 5

  • Script polish

    A focused screenplay revision intended to refine dialogue, clarity, tone, pacing, or consistency without wholesale restructuring.

  • Script revision

    A controlled change issued after a production script has entered formal distribution.

  • Scriptment

    A development document combining treatment-style prose with selected scripted scenes or dialogue.

  • Season arc

    The planned progression of story and character developments across a season of episodic work.

  • Sequel rights

    Rights to create later works continuing characters, world, or story from an existing property.

  • Series bible

    A controlled reference describing a series premise, world, characters, format, tone, and ongoing story engine.

  • Set design

    The developed spatial and visual design for scenery constructed or adapted for a production.

  • Set drawing

    A drafted plan, elevation, section, or detail communicating the approved geometry of scenery.

  • Set-dressing plan

    A room- or location-specific plan for furnishing and dressing the environment before shooting.

  • Shooting draft

    The production-authorized script version prepared for breakdown, scheduling, and filming.

  • Shooting schedule

    The ordered plan for capturing scenes within available people, locations, equipment, and time.

  • Shooting script

    A script version annotated with scene numbers, revisions, camera intent, and production notes.

  • Shopping agreement

    A limited agreement allowing a producer or representative to seek financing or buyers for material without owning an option.

  • Shot list

    A planned list of camera setups that turns creative intent into a coverage and logistics plan.

  • Sides

    Selected script pages distributed to cast and crew for a particular day or scene.

  • Sizzle reel

    A short promotional edit created to demonstrate a project, concept, talent package, or market proposition.

  • Sound workflow plan

    A document defining production recording, metadata, synchronization, editorial exchange, ADR, mixing, and audio deliverables.

  • Spec script

    A screenplay written without a prior commission or production assignment, usually to be sold or used as a sample.

  • Story area

    A concise prose proposal for an episode or storyline before a detailed outline or script.

  • Story day

    A unit of chronological time within the narrative used to track continuity across scenes.

  • Story world document

    A development reference defining the places, systems, history, and rules of a fictional world.

  • Storyboard

    A sequence of drawings or frames that communicates intended composition, action, and camera movement.

  • Storyboard animatic

    A timed storyboard assembled with temporary sound to preview pacing, coverage, and transitions.

  • Stripboard

    A schedule board that visualizes scenes, company moves, cast, locations, and production-day groupings.

  • Stripboard color

    A color convention used on schedule strips to distinguish interior, exterior, day, night, or other scene attributes.

  • Studio teacher plan

    The schedule and staffing plan for required education and welfare supervision of working minors.

  • Stunt breakdown

    A script-derived record of actions requiring stunt evaluation, coordination, doubles, equipment, rehearsal, or special safety planning.

  • Sun-path study

    An assessment of expected solar direction, height, shadow, and timing at a location and date.

  • Synchronization license

    Permission to combine a musical composition with timed visual images.

  • Synopsis

    A prose summary that presents a story’s principal characters, events, and outcome.

  • Table read

    A group reading of a script by performers and production participants before filming.

  • Talent hold

    A temporary request that a performer keep specified dates available while casting or scheduling is unresolved.

  • Target audience

    The intended primary viewers considered when developing, financing, marketing, rating, and distributing a project.

  • Tech scout

    A department-focused location visit used to verify access, power, sound, safety, camera, and logistics assumptions.

  • Technical rehearsal

    A rehearsal focused on coordinating cues, equipment, movement, effects, and department timing before performance or photography.

  • Theme

    A recurring idea or question explored through a project’s characters, choices, images, and consequences.

  • Title search

    A clearance search for conflicting film, television, business, trademark, or other uses of a proposed title.

  • Tone

    The project’s prevailing emotional attitude and overall manner of presentation.

  • Trademark clearance

    Review and permission work addressing recognizable brands, marks, packaging, or trade dress in a production.

  • Traffic-management plan

    A documented system for separating and directing public, production, pedestrian, and work-vehicle movement.

  • Transport plan

    A coordinated plan for moving people, equipment, vehicles, and materials throughout production.

  • Travel day

    A scheduled day principally used to move cast or crew to or from a production location.

  • Travel movement order

    A document giving travelers confirmed itinerary, reporting instructions, transport, lodging, contacts, and allowances.

  • Treatment

    A concise creative document describing a project’s story, tone, visual approach, and intended audience.

  • Treatment revision

    A controlled new version of a prose story treatment responding to creative or production notes.

  • Underlying rights

    Rights in pre-existing material or real-world subject matter on which a screen project depends.

  • Unit-base plan

    A layout and operations plan for trailers, holding, catering, transport, parking, waste, and support services.

  • Vendor

    A person or business that supplies goods, rentals, facilities, or services to a production.

  • Vendor onboarding

    The process of approving a supplier’s identity, tax, insurance, payment, safety, and contract information.

  • Verbal pitch

    A spoken presentation of a project delivered in a meeting, room, call, or recorded setting.

  • VFX bid

    A vendor estimate assigning scope, methodology, labor, schedule, assumptions, and price to visual-effects work.

  • VFX breakdown

    A shot- or scene-level analysis of visual-effects requirements, methods, elements, complexity, and dependencies.

  • VFX turnover plan

    A specification for transferring approved editorial shots, plates, references, metadata, and instructions to visual-effects vendors.

  • Visual reference board

    A curated board of images used to align design, camera, color, wardrobe, or location direction.

  • Wardrobe plot

    A character- and scene-based chart showing the approved costume worn through the production.

  • Weather day

    A scheduled contingency day reserved for work that depends on suitable weather conditions.

  • Work authorization plan

    A plan confirming that cast and crew may lawfully work in every production jurisdiction.

  • Workers’ compensation

    A jurisdiction-specific insurance and benefits system for eligible work-related injury or illness.

  • Workflow test

    An end-to-end trial proving that acquisition material can travel through editorial, finishing, sound, and delivery as planned.

  • Writer agreement

    A contract commissioning or acquiring writing services and defining rights in the resulting material.