Encyclopedia

2106 entries · Page 13 of 36

• Fall clearance

  The unobstructed vertical distance required for a fall-arrest system to deploy and stop a worker safely.

• Fall protection

  A planned combination of guardrails, travel restraint, fall arrest, training, and rescue procedures.

• Fall restraint

  A system configured to prevent a worker from reaching an unprotected fall edge.

• Fall-arrest anchorage

  A secure attachment point for a personal fall-arrest system, independent where required from supporting work systems.

• Fall-arrest lanyard

  A flexible connecting line between a harness and anchorage or deceleration device.

• Fall-protection connector

  A rated component joining parts of a personal fall-protection system.

• False color

  A monitoring overlay that assigns colors to measured exposure ranges for rapid image evaluation.

• False proscenium

  A scenic or masking portal built inside the architectural proscenium to redefine the visible opening.

• False start

  An aborted beginning in which a take stops before meaningful action is completed or formally reset.

• Fatigue risk

  The increased likelihood of error, injury, or impaired judgment caused by insufficient sleep, long hours, circadian disruption, or demanding work.

• Feed spool

  The reel supplying unexposed or source film into a camera or transport.

• Feeder cable

  A heavy conductor assembly carrying substantial power from source to downstream distribution.

• Festival changeover

  The timed transition between acts requiring coordinated removal, reset, patching, line checks, and staging.

• Field mixer

  A portable audio console used to combine, route, monitor, and control production-sound inputs.

• Fight Coordinator

  A Fight Coordinator designs and supervises performed combat for camera, translating character, story, weapons, environment, performer ability, and coverage into repeatable choreography. They teach safe distances, reactions, timing, targets, footwork, communication, and stop procedures; coordinate stunt doubles and departments; and adjust action when casting, costume, set, camera, or physical conditions change.

• Figure-eight microphone

  A bidirectional microphone pattern sensitive at front and rear with strong side nulls.

• Fill light

  Illumination used to control shadow density or contrast created by other sources.

• Fill speaker

  A supplemental loudspeaker covering an audience area not adequately served by the main system.

• Film can

  A protective container used to store and transport wound motion-picture film.

• Film cleaner

  A machine, fluid, or approved process used to remove dust, oils, and debris from motion-picture film.

• Film core

  A flangeless hub around which professional motion-picture film is wound for storage or handling.

• Film emulsion

  The light-sensitive coating on photographic film containing image-forming materials in gelatin layers.

• Film Financier

  A Film Financier provides or arranges capital for a screen project and evaluates whether its package, budget, schedule, rights, market assumptions, recoupment structure, security, and risk fit an investment mandate. They conduct diligence with legal, business, production, sales, and accounting specialists; negotiate financing conditions; monitor agreed milestones; and make capital decisions without controlling creative work beyond contracted approvals.

• Film gate

  The camera or projector aperture assembly that holds film flat at the image plane.

• Film jam

  A failure in which motion-picture film stops or travels incorrectly through a camera movement.

• Film leader

  Non-picture or expendable film attached to protect, thread, identify, or cue a motion-picture element.

• Film light trap

  A labyrinth or velvet-lined seal that blocks light at a film magazine or camera opening.

• Film loop

  A measured slack section that isolates intermittent camera or projector motion from continuous feed and take-up.

• Film magazine

  A light-tight camera assembly that holds supply and take-up film while guiding it through the transport path.

• Film magazine throat

  The light-sealed passage where film enters and leaves a detachable camera magazine.

• Film perforation

  A regularly spaced hole along motion-picture film used for transport and image registration.

• Film Sales Agent

  A Film Sales Agent represents a completed or packaged project to distributors and buyers in defined territories, media, or windows. They assess market positioning, prepare sales materials and forecasts, introduce the project at markets and screenings, negotiate license terms, coordinate delivery and collections, report sales activity, and advise Producers about buyer response without guaranteeing that a film will sell or recoup.

• Film scratch test

  A camera-department check for scratching or abrasion along film traveling through a magazine or camera.

• Film splicer

  A precision device used to join film with tape, cement, or another format-appropriate splice.

• Film stock

  Photographic motion-picture film selected by format, emulsion characteristics, speed, contrast, and intended finish.

• Film synchronizer

  A geared bench device that keeps picture and sound rolls in measured frame relationship during film editing.

• Film winding

  The emulsion-in or emulsion-out orientation of film on a spool or core.

• Filming notice

  A posted or delivered notice identifying authorized filming, timing, impacts, restrictions, and production contact information.

• Filter tray

  A removable holder that positions a rectangular optical filter in a matte box.

• Final checks

  The last department opportunity to correct visible details before cameras roll.

• Final co-production approval

  Post-completion certification that an official co-production satisfied the arrangement as actually made.

• Final mix

  The approved combination of dialogue, effects, Foley, music, and deliverable-specific stems.

• Finance plan

  A document identifying the sources, amounts, timing, and conditions of money expected to finance a production.

• Fine cut

  A near-final edit refined for pacing, transitions, performance, and editorial detail.

• Fire extinguisher

  A portable device containing an extinguishing agent selected for particular classes and sizes of incipient fire.

• Fire lane

  A designated access route kept available for emergency vehicles and fire-service operations.

• Fire watch

  A designated person who monitors for ignition hazards and maintains required fire-prevention controls.

• Fire-alarm interface

  Coordination between production activities and a building fire-detection or notification system.

• Firearms safety

  The controlled planning and handling practices required whenever firearms or firearm-like props are present in production.

• First Assistant Accountant

  A First Assistant Accountant is the Production Accountant’s senior deputy, supervising daily accounting operations and assigned staff while maintaining accurate accounts payable, purchase orders, petty cash, cards, bank reconciliations, journals, coding, vendor setup, and ledger support. They review work for policy and documentation, resolve discrepancies, and help prepare weekly cost reports, forecasts, audits, and close.

• First Assistant Camera

  A First Assistant Camera, or 1st AC, is the camera team’s technical lead and focus specialist. They build and maintain the camera, change lenses and accessories, judge and pull focus during takes, troubleshoot the camera system, and organize the assistant crew so the camera remains ready and reliable.

• First Assistant Director

  A First Assistant Director turns the shooting plan into a safe, workable production day. They organize set operations, coordinate departments through the schedule, run rehearsals and shooting logistics, communicate timing, and help the Director complete the planned work without taking over the Director’s creative role.

• First positions

  A call directing performers and relevant crew to the starting marks for a take.

• First refusal

  An arrangement requiring a performer to offer availability to one production before accepting conflicting work.

• First team

  The principal performers and key creative participants used for the main rehearsal or camera setup.

• First unit

  The principal shooting company responsible for the production’s main dramatic scenes and leading cast work.

• First-aid kit

  A stocked and accessible collection of supplies selected for the likely minor injuries and conditions of a worksite.

• First-aid response

  Immediate trained care provided for illness or injury until further treatment is available.

• Fitting day

  A scheduled period for wardrobe, prosthetic, hair, makeup, or equipment fitting before performance work.

• Fitting schedule

  A coordinated calendar for performer costume, hair, makeup, prosthetic, or equipment fittings.

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